The shadow is at all times there.

Y: The Last Man Season 1 Episode 10 offers us carnage, romance, reunions, and hope. 

There is just one path ahead.

There is a lot consideration to element right here. There have been a number of callbacks to earlier episodes that have been simply so satisfying. It was written by Eliza Clark, the showrunner, and directed by Daisy Von Scherler Mayer.

The pool scenes have been dreamy and lovely. The timing of the cuts and cues was so spot on — particularly the opening scene that cust from Hero’s line to the opening credit, after which when Agent 355 intrudes on Yorick and Sonia’s breakfast.

It helped keep some levity earlier than the darkness of the remainder of the episode set in.

Sonia and Yorick lastly consummated their relationship. Kristen Gutoskie’s Sonia has such an ease about her, by no means coming off as needy or pressuring him. She lets him make the primary transfer, figuring out they should proceed on his phrases. It all felt very natural and proper.


If time was extra like an ocean, then you may’t simply choose one second out. It’s all combined collectively, the great and the unhealthy.


The method Yorick seems to be at her within the morning, the best way he touches her makes it look like he’s falling in love along with her. He looks as if the kind of man who falls in love with each lady he sleeps with, which on this case would solely be two, however that is neither right here nor there. 

Speaking of sleeping, Agent 355 received a terrific evening of it, because of “human sandbag” Dr. Mann. Their relationship is so understated and genuinely candy. They consistently test in with one another about consolation ranges and consent, however there’s nonetheless loads of snark as a result of that is simply who they’re.

They’re throwing us a goodbye social gathering. It’s purported to be a shock, however I did not need you to kill anybody, so heads up.

Dr. Mann

Their mutual respect has solely grown. You can inform they take pleasure in one another’s firm, however they attempt to maintain it toned down round Yorick. Though he introduced them collectively, what they’ve now — no matter it’s — exists outdoors of him. 

Dr. Mann’s willingness to maintain Agent 355 “weighted” down helped them each sleep nicely, which little doubt helped 355 keep her alertness in the course of the assault on Marrisville.

It’s factor they received Yorick out as quickly as they heard gunshots.

It was wild that Ray was simply prepared to exit and be provided up as the person in Yorick’s place. Perhaps he trusted Agent 355 sufficient, figuring out they might get out of it. Maybe everybody in Marrisville acknowledged the significance of Dr. Mann’s work with Yorick and have been prepared to guard it. 

Roxanne confirmed her true colours with the invasion of Marrisville. She wished glory or loss of life. When it was clear her aspect was shedding, and Nora surrendered, she behaved like a petulant baby. 

You should surprise if Nora set her up.

Nora heard concerning the Marrisville and instructed it. Now, it is arduous to say whether or not she knew Yorick was the person. But when Hero involves her after and tells Nora that she’s seen her brother, Nora does not even appear stunned.

Was it Nora’s plan to overthrow Roxanne all alongside? At the expense of the lives of among the Amazons? Or did she really consider they might defeat the Marrisville residents? If she thought Roxanne’s plan was disorganized, why did not she provide some tactical plans herself? 

Marin Ireland’s Nora is one for the ages. She elevates each scene. She instructions the display. She completely owned this episode. Eliza Clark clearly loves Nora, too — she gave her all the very best strains and named the episode after her!

The actual you is a shadow and it’s at all times there.


It was lovely how Mackenzie and Nora lastly related right here. It was a refreshing tackle a woman getting her first interval — what does having your interval imply within the context of this world? Is it extra significant or extra benign?

Navigating their relationship has been a battle for each of them, but it surely feels Nora and Mackenzie have lastly reached an understanding.

Nora: You’re a girl now. I would like you to be courageous and powerful.
Mackenzie: You sound like Roxanne.
Nora: No. Roxanne appears like me.

Mackenzie grew up in some ways right here. She received her first interval, she survived a shootout, she comforted a dying buddy, and he or she watched her mom kill a girl.

When she repeated Nora’s phrases again to her about being sturdy and courageous, Nora lastly received via to her.

The intercourse scene was unusual.

Of all of the intercourse scenes we might have seen, Yorick/Kimberly was positively probably the most surprising. Of course, Kimberly sees it as a imaginative and prescient — God forbid a girl has a intercourse dream a few man she’s been fascinated with! (Yes, I’m being sarcastic.)

The scene was so disturbing is as a result of it is clear Kimberly sees Yorick as a vessel for the propagation of the species.

She’s unwittingly turning the tables on the Republican dogma peddled by her late father whereas on the identical time reinforcing it. When it involves copy, girls’s our bodies abruptly belong to the “greater good.”

This time, nonetheless, it is the person who should give over to his organic duties for the sake of “humanity.” Turnabout is honest play. If you are not disturbed, you are not paying consideration. 

Olivia Thirlby’s Hero got here full circle, and it was devastating to look at. The flashback scene exemplified her mother and father’ double customary and the way remoted she felt amongst her household.

Her mom’s silent phrases in her ear as she left have been these Hero talked about to Sam in Y: The Last Man Season 1 Episode 4  — that Hero is egocentric, self-destructive, and merciless. 

Hero’s dialog with Nora not solely set them up as allies but additionally mirrored Yorick’s scene with Agent 355 in Y: The Last Man Season 1 Episode 3 — about their Shakespearean names.

One is a noblewoman shamed for adultery and almost killed, whereas the opposite is a clown. Little particulars like this are what make this present so good. 

Hero’s reunion with Yorick was all too temporary and tragic. It was a reduction to see them lastly discover one another and, regardless of every little thing, acknowledge that they do love one another. It was a disgrace that Sonia needed to die — she might have simply simply let Yorick go and gone again to her life in Marrisville.

That Hero was prepared to kill Nicole to avoid wasting her brother is telling. Though she does not have time to course of the ramifications of her actions, she is aware of her brother is essential, and even when she will be able to’t be with him, she’ll assist the trigger. She’s not that egocentric particular person she was once. 

Poor Yorick. It’s at all times robust being the “chosen one.” To discover and lose his sister in a matter of moments, to see his new lover killed in entrance of him, to seek out out that his mom is lifeless — nicely, that is lots to absorb. 

It’s the burden of the straight cis white man whose mother’s in fucking Congress.


Again, it is attention-grabbing to see a person portrayed as susceptible and helpless round many sturdy girls.

Ben Schnetzer does such a terrific job navigating the road between whiny and sympathetic. He’s no extra self-involved than some other man, however he is lastly changing into self-aware. 

Finally, Agent 355 opens up and shares the story of the traumatic childhood occasion that killed her household. This offers her Episode 4 fever dream of being a jazz singer in a nightclub extra context.

It’s telling that she’s prepared to surrender the mission — although this can be a bluff, and he or she is aware of Yorick nicely sufficient now to see which path he’ll select. Though he does not know but, his selection is the appropriate one.

It will lead them again to his mom, Beth, and Sam. Not solely that however Agent 355 could lastly be capable to get some solutions concerning the origins of the Event from Fran.

My solely criticism of this episode is that it must have been longer.

From a storytelling perspective, it could have been much less jarring if we would seen, even briefly, scenes of Jennifer and Beth escaping the Pentagon, Nora bargaining with the Marrisville residents post-surrender, and Sam’s journey to Washington.

Everything is up within the air because the collection has not been renewed by FX and continues to be in purgatory. 

Fans have taken this cancellation personally as a result of it is not nearly Y: The Last Man. This is a present produced, directed, written by, and starring predominantly girls, with the deliberate inclusion of trans and non-binary characters and that includes sturdy girls of shade.

With a present like this being canceled, it feels as if the message from mainstream media is, “No one wants to hear these stories. These stories that resonate deeply with you are not worth telling, no matter how expertly it’s been crafted.”

This is one thing girls and marginalized folks have heard from the media for a lot too lengthy. We’re nonetheless at a degree the place a present will probably be judged extra critically based mostly on the truth that girls produce it, and to ensure that that to vary, we’d like extra girls creating content material. 

I select to be hopeful.

The door has not been shut. Y: The Last Man has flung it huge open, and Eliza Clark has proven us, like so many earlier than her, that tales like this are value exploring, and compelling narratives could be woven with out males on the forefront. 

I’ve identified one million males such as you. I’ve spent my complete life making assholes appear cheap.


Let girls inform women-centric tales. Let sturdy feminine characters not simply be badasses. Make room for all sorts of ladies — advanced, susceptible, flawed, resilient, extraordinary, extraordinary, good, impartial, and evil.

Let’s see girls failing, succeeding, banding collectively, and having conflicts.

Let’s normalize the inclusion of LGBTQ+ characters in order that it is not seen as progressive and refreshing — it is simply HOW IT SHOULD BE. 

It’s as much as us as viewers to maintain the door open and actively assist the narratives we wish to see.

Y: The Last Man is darkish, wealthy, confronting, and deeply resonant.

Despite its speculative nature, it feels shockingly actual, and its impression just isn’t misplaced on these of us who acknowledge it for what it’s. 

Thank you for sharing the journey with us right here. Let’s hope we are able to journey collectively for a lot of seasons to come back. Share your ideas within the feedback. 

Mary Littlejohn is a employees author for TV Fanatic. Follow her on Twitter.

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