Vaani Kapoor has been within the movie trade for practically a decade now and she or he’s accomplished myriad initiatives, together with Shuddh Desi Romance (2013), BellBottom and Chandigarh Kare Aashiqui (each 2021). However, if there’s one factor that bothers the actor, it’s the hype related to movies racing to enter the 100-200 crore membership. While she agrees with the significance of box-office success, she feels the strain tends to get overwhelming at occasions.

“Box-office is important. You want to be able to earn out of a film so that you can continue creating art. [But] ever since the whole [concept of] 100-200 crore club came in, it has put a lot of pressure. Sometimes, it is a bit too much. People get scared of experimenting with subjects [because of the pressure]. It gets harder for them to mount films on certain people who are not already at the top of their game… Many things are in play because of the pressure to make sure your film reaches a certain number,” the 33-year-old tells us.

That being mentioned, Vaani, who shall be seen subsequent in Shamshera,is glad that there’s area for each story on the cinematic canvas immediately. “If you do Chandigarh Kare Aashiqui, you have an audience. You also have an audience for a Shamshera, which is for the masses and classes,” she continues, “Shamshera captures a vast audience and comes with a gamut of emotions. There’s laughter, emotional drama and action; there is so much happening, it is like a buffet of emotions… I’m glad that there is space for all films.”

Directed by Karan Malhotra, the interval movie, set within the 1800s, stars Ranbir Kapoor because the lead and Sanjay Dutt because the antagonist. While many might dub her decisions as brave and daring, Vaani says she feels grateful to have the ability to convey such “larger-than-life” tales alive.

“I have always watched larger-than-life films, and today, I get to be a part of one. The film is bigger than all its actors; it offers a cinematic experience where everything has been intricately taken into consideration,” she says.

Calling her character the “quintessential Hindi cinema heroine”, she provides, “Sona has an arc and evolves through the journey in the film.”

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