When Lata Mangeshkar handed away in February, thousands and thousands across the globe known as it the ‘end of an era’. Known because the ‘Nightingale of India’, Lata was the voice behind many generations of movie actors, but each music she was given, she devoted herself to it in the best way a newcomer would. Lata’s first large hit was the 1949 movie Mahal’s ‘Aayega Aanewala’ and till the aughts, her dedication in direction of her craft was simply the identical.

Lata was all of 19 when she sang Mahal’s Aayega Aanewala and the music set the temper for the movie. The recording of the music wanted to have a haunting impact however again within the Forties, the know-how wasn’t so developed that they may manipulate a singer’s voice at will, so Lata got here up with a plan. She shared with Nasreen Munni Kabir within the e-book Lata Mangeshkar: In Her Own Voice, “We decided to make the song sound as though it were coming from a great distance, to create an effect like that. I stood in a corner of the studio and the microphone was placed in the middle of the room. Singing the first verse, I walked slowly towards the mic, and when I was close to it, I sang the main refrain. We repeated this process many times and finally the song was recorded.”

This follow was remarkable on the time and the movie’s director Kamal Amrohi and music director Khemchand Prakash had been in awe of her. “It was an amazing experience. We spent the whole day in the recording studio working on ‘Aayega Aanewala’. Mahal’s director, Kamal Amrohi Sahib, clearly understood how, through the song, he could make the scene full of mood and atmosphere,” she recalled.

The identical dedication that Lata displayed again within the Forties was evident via the 2000s as nicely. Almost six a long time later, when Lata was a globally famend singer, she had the identical ardour for music. And that is evident from an anecdote that was as soon as shared by movie director Rakeysh Omprakash Mehra. Lata Mangeshkar had gotten very selective about her songs in her outdated age however she agreed to sing for Mehra’s 2006 movie Rang De Basanti the place the music was composed by AR Rahman.

Mehra shared that whereas singing ‘Luka Chhupi’, Lata was on her ft for over 8 hours. At the time, she was in her late 70s. Recalling this incident on the movie’s tenth-anniversary celebrations, Mehra shared at a press convention, “Every day she would come to the studio and start rehearsing the song. I would like this to sink in that Lata Mangeshkar would come to the studio every day and rehearse the song. For 4 days she rehearsed.” Meha was in awe of the singer who was so broadly famend but insisted on rehearsing a lot. On the day of the recording, he recalled, “She stood at the mic, we were in the room. She stood there, her plait touching the floor. We kept some flowers, a bottle of water and a chair for her. For 8 hours, she sang the song and for 8 hours she stood there.”

Veteran lyric author Gulzar, who wrote ‘Naam Gum Jayega’, the music that turned Lata’s id, spoke about her after her demise and shared how Lata recognized with the phrases of this music. He advised PTI, “We had written the song for a film. I remember I had told her when you give an autograph you can use this (the lines of the song) ‘Meri awaaz hi pehchan hai’. I didn’t mean it thinking (it will become her identity) but it became her identity and she identified (with it).”

Lata Mangeshkar handed away in February 2021 in Mumbai on the age 92.

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