“Triangle of Sadness” roasts the filthy wealthy for 90 wonderful minutes.

The downside? There’s nonetheless a superb hour of movie left, and the ultimate act is interminable.

This 12 months’s Palme d’Or at Cannes.winner packs the subtlety of an “Itchy & Scratchy” brief, however most viewers received’t care. The one-percent takedowns show as decadent because the meals served in “The Menu.”

It’s lip-smackingly good.

The movie runs out of satirical targets earlier than director Ruben Östlund of “Force Majure” fame stumbles. By that final reel, he’s naming his targets within the movie’s dialogue.


Young lovers Yaya and Carl (Charlbi Dean Kriek and Harris Dickinson) struggle over the dinner test because the story opens. She’s a glamorous influencer with money to burn (we assume). He’s a male mannequin compelled to strut his stuff in humiliating auditions.

His introductory scene mocks Balenciaga in a method that makes the company’s current woes appear quaint.

The couple settle their gender-based argument and, later, embark on a luxurious cruise. The ultra-rich passengers have their each wants met, and these soulless cads get inventive with their calls for.

One crew member will get the boot mid-cruise for the crime of claiming, “hello” to a passenger’s girlfriend.


Östlund will get loads of mileage out of his satirical targets, from an aged couple who promote weapons of struggle for revenue to a girl who insists the motorized yacht has “dirty sails.”

It’s machine-gunning fish in a barrel, however the pacing works in Östlund’s favor. And that’s earlier than Woody Harrelson arrives as a drunken captain who pines for a Marxist world order.

Disaster strikes the vessel in additional methods than one. The minute Harrelson’s character begins reciting Marxist bon mots “Triangle” hits a inventive iceberg. His anti-American rant indicators each the movie’s apparent agenda (duh!) and, extra importantly, its inventive decline.

Reagan devotees may nod together with “Triangle’s” satirical broadsides up till this level, at the same time as their favourite president will get name-checked by a creepy capitalist (Zlatko Buric).

Now, the lectures arrive with out all that fancy present wrapping. And, when the boat’s passengers find yourself on a distant island, Östlund offers up making an attempt to entertain us.

“Triangle of Sadness” turns into an MSNBC-style monologue delivered by Keith Olbermann.

The laughs disappear, woke narratives flood the display screen and Ostlund’s screenplay makes characters mouth his speaking factors:

  • Down with the Patriarchy!
  • Socialism rocks!
  • America is the Great Satan!

The magnificence behind “Triangle of Sadness’s” first half is how its socialist world view entertains folks of all political stripes. Funny is humorous, and the cartoonishly wealthy are ripe for ridicule.

The belabored finale stumbles in all of the ways in which matter. Characters change into maddeningly inconsistent. The plucky humor evaporates. The movie’s intentions lap any try at coherent storytelling.

Poor Dolly De Leon. Her character turns into integral to the story however exists solely to ship a socialist message to viewers. 

Here’s one: What a disgrace {that a} ship as sturdy as “Triangle of Sadness” springs so many leaks.

HiT or Miss: “Triangle of Sadness” rips the wealthy in some hilarious methods earlier than resorting to a primer on Marxism 101 (with out laughs or rigidity).

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