GQ Magazine, previously often known as Gentleman’s Quarterly, is a publication that focuses on “fashion, style, and culture for men, though articles on food, movies, fitness, sex, music, travel, celebrities’ sports, technology, and books are also featured”. It may not be a spot you’d anticipate to examine K-Pop, however they lately launched an article titled “15 Best Gateway Songs for the K-Pop Curious” that discusses simply that! Here are the 15 K-Pop songs talked about within the article, together with elements of what GQ Magazine needed to say about every one.

1. “Blood Sweat & Tears” by BTS

“Blood Sweat & Tears” was launched on October 10, 2016 off of BTS’s Wings album, which offered 1.50 million copies so far. Here is what GQ Magazine has to say concerning the music:

Aided by manufacturing throughout the band and a successful hip-hop and vocal combo, they make virtually any style straightforward to deal with. Truly any variety of their songs might be a gateway, however 2016’s “Blood, Sweat & Tears” is them at their finest. It is pop perfection, horny and has a video that presents the type of unabashed theatricality that makes the style so rattling enjoyable.

— GQ Magazine

2. “Growl” by EXO

“Growl” was launched on August 5, 2013 off of EXO’s Growl album, which offered 764k copies so far. Here is what GQ Magazine has to say concerning the music:

Few songs are capable of attain timeless standing in an business so fast-moving, the place teams are debuted and disbanded day by day, however “Growl” has endured to the purpose the place members are nonetheless requested to carry out the long-lasting choreography in TV appearances. Aided by among the business’s finest vocalists throughout the group, the music stays a defining basic, and its seamless mix of pop and R&B remains to be replicated immediately.

— GQ Magazine

3. “Psycho” by Red Velvet

“Psycho” was launched on December 23, 2019 off of Red Velvet’s The ReVe Festival: Finale album, which offered 270k copies so far. Here is what GQ Magazine has to say concerning the music:

2019’s “Psycho” got here in proper on the finish of the yr and made a big impact. It has a restrained energy, largely because of the members’ impeccable harmonies, that’s etched it into the annals of K-Pop historical past.

— GQ Magazine

4. “Fancy” by TWICE

“Fancy” was launched on April 22, 2019 off of TWICE’s Fancy You album, which offered 484k copies so far. Here is what GQ Magazine has to say concerning the music:

Over the course of their 7-year profession, TWICE have been famed for his or her vocal-led, upbeat musicality, and this music acts as a part of a maturing evolution for a gaggle handed the torch of ‘Nation’s Girl Group’ (a title their second-generation predecessor Girls’ Generation additionally maintain).

— GQ Magazine

5. “DDU-DU DDU-DU” by BLACKPINK

“DDU-DU DDU-DU” was launched on June 15, 2018 off of BLACKPINK’s Square Up album, which offered 476k copies so far. Here is what GQ Magazine has to say concerning the music:

Their signature sound is confronting and audacious, exemplified completely in 2018’s smash “DDU-DU DDU-DU”, which turned the primary K-Pop group music to hit 1 billion views on YouTube.

— GQ Magazine

6. “Replay” by SHINee

“Replay” was launched on May 22, 2008 off of SHINee’s Replay album, which offered 32k copies so far. Here is what GQ Magazine has to say concerning the music:

If there was a K-Pop 101, SHINee can be a crucial chapter. They’re recognized for his or her experimental discography, usually innovating and introducing new sounds earlier than they’re palatable to the bare ear.

— GQ Magazine

7. “Want” by Taemin

“Want” was launched on February 11, 2019 off of Taemin’s Want album, which offered 130k copies so far. Here is what GQ Magazine has to say concerning the music:

While many take into account Taemin’s single “Move” to be his most defining music, it’s 2019’s “Want” that gives an perception into simply what can exist comfortably underneath the umbrella of K-Pop. It’s provocative, sensual, downright soiled, and an antidote to the notion that K-pop is solely sanitized.

— GQ Magazine

8. “Kick It” by NCT 127

“Kick It” was launched on March 6, 2020 off of NCT 127’s Neo Zone album, which offered 1.01 million copies so far. Here is what GQ Magazine has to say concerning the music:

Their sound can usually really feel like Goldilocks’ seek for the proper porridge – typically an excessive amount of, typically not sufficient and typically good. 2020’s “Kick It” is a wonderful introduction to these eager to discover simply how a lot their ears can deal with, with the precise proper mixture of intense manufacturing and virtually intimate vocals.

— GQ Magazine

9. “God’s Menu” by Stray Kids

“God’s Menu” was launched on June 17, 2020 off of Stray Kids’ Go Live album, which offered 562k copies so far. Here is what GQ Magazine has to say concerning the music:

2020’s “God’s Menu” is as loud as it’s genius and a single that helped boil their already effervescent reputation over. Almost each music of their 4-year discography is produced not directly by members of the group, signaling an extra transfer for private expression in an business usually affected by its stereotype of being manufactured.

— GQ Magazine

10. “4 Walls” by f(x)

“4 Walls” was launched on October 27, 2015 off of f(x)’s 4 Walls album, which offered 82k copies so far. Here is what GQ Magazine has to say concerning the music:

2015’s “Four Walls” is one among their most distinctive releases so far, that includes a hypnotic refrain and backing beat. The music takes inspiration from UK dance, an affect that may also be seen in releases from contemporaries SHINee and newer group ENHYPEN.

— GQ Magazine

11. “LA DI DA” by EVERGLOW

“LA DI DA” was launched on September 21, 2020 off of EVERGLOW’s −77.82X−78.29 album, which offered 49k copies so far. Here is what GQ Magazine has to say concerning the music:

EVERGLOW’s “LA DI DA” offers us some aggressive synth-pop and, like K-Pop usually does, turns the amp up all the way in which to eleven. K-Pop is at its finest when it masters an ideal refrain, and it’s exhausting to think about a extra impactful, heart-racing refrain than this.

— GQ Magazine

12. “Fallin’ Flower” by SEVENTEEN

“Fallin’ Flower” was launched as a non-album digital single in 2020. Here is what GQ Magazine has to say concerning the music:

2020’s “Fallin’ Flower” showcases the group’s skill to stability their elegant vocal, rap and efficiency contingents expertly. Sung in Japanese, it’s an instance of the type of releases K-Pop artists will drop to succeed in completely different fanbases.

— GQ Magazine

13. “Middle of the Night” by MONSTA X

“Middle of the Night” was launched on February 14, 2020 off of MONSTA X’s All About Luv album, which offered 200k+ copies so far. Here is what GQ Magazine has to say concerning the music:

The music is intimate and craving, and as a gaggle recognized for his or her masculine ‘beast idol’ idea, it reveals the methods artists can shift and evolve their identities seamlessly for brand new releases.

— GQ Magazine

14. “Any Song” by ZICO

“Any Song” was launched on January 13, 2020 as a digital single. Here is what GQ Magazine has to say concerning the music:

If you’ve spent any time on a TikTook FYP, you’ve seemingly heard Zico’s 2020 single “Any Song”. One of the primary K-Pop releases to actually make the most of a dance problem on the platform, it turned a viral sensation beloved by celebrities and life-style bloggers alike.

— GQ Magazine

15. “Hype Boy” by NewJeans

“Hype Boy” was launched on August 1, 2022 off of NewJeans’ New Jeans album, which offered 548k copies so far. Here is what GQ Magazine has to say concerning the music:

Taking inspiration from Y2K aesthetics and soundscapes, it proves the rule that developments do work in a 20-year cycle. NewJeans are a part of a brand new class of thrilling artists rising into the scene, joined by fellow rookies IVE and LE SSERAFIM.

— GQ Magazine



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