With Mumbai Diaries 26/11, Konkona Sen Sharma returns to the OTT house as soon as once more. The actor was earlier seen within the acclaimed Geeli Pucchi, a part of a Netflix anthology Ajeeb Dastaans however Mumbai Diaries marks her first internet present. She performs Chitra Das, social companies director of a authorities hospital, within the internet present based mostly on the 26/11 terror assaults. Despite a storied profession, what attracted Konkona to the online house and the way robust was it to recreate the horrific assaults? Konkona solutions in an interview with indianexpress.com.

Excerpts from the interview:

Your first web-series. What did it take so that you can say sure?

When I first learn it, I discovered it hard-hitting, partaking and splendidly written script. It was like a thriller virtually, as a result of these are occasions unfolding in actual time. In the start after I first learn it, it took me again to the true occasions. The present concentrates on the lives of hospital employees and what they undergo their private journeys and challenges of working in a authorities hospital. I assumed it was a really nicely written present, and right here it’s, my very first web-series. The present is a tribute to frontline staff in true sense.

Recreating a previous assault that rocked our world, how troublesome was that?

It is difficult, one must be very respectful and I knew that may be taken care of as Nikkhil Advani was doing it. It was troublesome at the moment, recreating a practical topic like this for a lot of motive. Even if you find yourself enjoying a personality, it’s the ups and downs that you’re depicting, not such excessive circumstances, there isn’t a piece of reference for one thing like this. Often there have been explosions and we had been coated in mud and blood, these type of issues had been additionally there and that was troublesome in its personal means.

Every time a present or a movie is made on a subjects linked to terrorism, folks blame a specific neighborhood, a faith. Do you suppose your present can have a extra delicate method to it?

That is a mindset that now we have to cope with. There is an consciousness that now we have to work on. Terrorists have their very own faith, and terror can come from any faith. The fanatics are a faith unto themselves and it doesn’t replicate on what faith they are saying they’re.

For Mumbai Diaries, that isn’t what now we have taken. Those usually are not the problems we’re coping with on this present. There is a line within the trailer which says, “a doctor has to look at a body as a body and not as anything else.” As Nikkhil says that in any a part of the phrase, in an ER or hospital no one goes to ask what your faith or what your caste is. They are going to ask your blood group and what are your allergic reactions.

Today, we’re too centered on non secular divides, we actually want to return collectively as a rustic, be extra peaceable, be extra tolerant.

But as I mentioned earlier, 26/11 is a backdrop on our present, it’s a tribute to frontline staff. We’ve had many reveals on 26/11, however not from the angle of docs. Thanks to Covid-19 now we have seen what the docs and medical employees has to undergo — the assaults on docs, the dearth of PPE kits, the shortages in authorities hospitals, the type of healthcare that isn’t accessible to all people, it is just the elite who’ve entry to good healthcare. So these are the challenges now we have catered to and instructed tales of those characters in extraordinary circumstances that they aren’t even skilled for.

Q) Why do you suppose we want a pandemic or a tragedy to grasp the plight of frontline staff?

The tragedy is that we should always not want a pandemic or a terror assault to understand our frontline staff. They are on a regular basis heroes. I suppose, to start with they want a number of authorities assist. It is essential to prioritise healthcare for all Indians, not simply the elite. As residents we should always pay attention to what our first responders undergo and all of us ought to attempt to assist them as a lot as doable.


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You decide tales that you just inform and also you grow to be one with the character that you just painting on display. After 20 years in cinema, has your motivation to do movies modified?

I don’t suppose it has modified. After being round for greater than 20 years and doing 50 odd movies, it isn’t that each movie you do will become an important movie. It might end up the opposite means round. Out of fifty, I feel 20 is perhaps good or value watching. I don’t suppose my standards has modified that a lot, I feel I attempt to do work that speaks to me and appeals to me, that I can discover a private join with. There are all the time sensible facets like how a lot they will pay and dates and if they are going to be capable to release the present or movie, these points are undoubtedly additionally there, however I actually need to connect with the story and the character that I’m enjoying. It can be essential for me to know who’s doing the present, and what are they making an attempt to say by means of it.

In the final 20 years, has it grow to be simpler or troublesome to seek out good tales?

It is all the time a bit simpler and a bit troublesome. While I received’t say all the things is best now, however earlier I needed to play good roles, play girls who had been all the time morally upright, had a number of integrity and all the time made good choices. This is just not all the time reasonable, girls usually are not all the time like that, not less than all girls usually are not like that.

Lately I had some fascinating roles coming my means and it was good. Like Dolly in Dolly, Kitty aur woh Chamakte Sitare, which was a really uncommon depiction of a girl, a spouse. She is stealing from her workplace, she is dishonest on her husband, she is just not constantly a superb mom. In Ajeeb Daastaans, I performed somebody from the LGBTQ+ neighborhood and I’m eternally grateful to Neeraj Ghaywan to get that position for me. There is Ramprasad Ki Tehrvi and I’ve carried out a movie with my mom, which is a really hard-hitting movie a couple of rape, and that’s going to Busan Film Festival. So, I’m glad that I’ve bought some fascinating work on my plate, lets see the way it goes.

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