In Jugjugg Jeeyo, Neetu Kapoor silences a flustered Varun Dhawan, who performs her son, after he snaps at Kiara Advani, her daughter-in-law, with only a few phrases, “Khabardar Naina se aise baat ki mere saamne (Don’t you dare talk to Naina like that in front of me).”

Keeping in tone along with her character, Neetu doesn’t yell or scream all through the movie, compared to the remainder of the household who resort to typical Bollywood theatrics to stress anguish and fury, which incorporates creating teary scenes in public. No, Neetu’s energy comes from her managed tones as she offers with a dishonest husband and her son, who can be on the verge of divorce. Her relationship arc places the concentrate on the fact of many married {couples} in India — being married however basically residing separate lives. Perhaps the opposite characters ought to have been allowed to comply with swimsuit by way of efficiency (together with drastic dialogue adjustments in fact), after which Jugjugg Jeeyo may have been way more impactful. At the second, the movie is essentially the most Bollywood-ised interpretation of divorce, with an enormous fats Punjabi wedding ceremony within the backdrop, and a collection of jokes that really feel like husband-wife WhatsApp forwards.

Divorce and infidelity is comedy

Jugjugg Jeeyo revolves round two {couples}, Kuku-Naina and Kuku’s dad and mom Bhim and Geeta, performed by Anil Kapoor and Neetu Kapoor. There’s bitterness between Kuku and Naina as she is way extra profitable than him in Canada, and he was compelled to go away Patiala for her. Resentments have been brewing and neither may talk it to one another and at last determine on a divorce. As Kuku tries to inform Bhim about his impending divorce, he learns that his father additionally desires to separate from his mom and is having an affair with a girl named Meera. Rather than tapping first a son’s confusion and anguish at his father’s infidelity, we’re pressured to listen to loads of sexist banter and brought via some hare-brained zany schemes to get his father to fall in love together with his mom once more for the sake of comedy. This contains attempting to get random younger women to drag the strikes on him as a result of he feels that his father is simply lusting (isn’t this a much bigger downside?) after Meera. Finally, Kuku does wrestle to point out the dilemmas that such a son would face, however that comes too late and is doused with a lot hysterics, tears and extreme theatrics that nothing feels actual by the tip of the movie.

There is far deception and betrayal in Jugjugg Jeeyo, but it surely’s all performed for laughs for essentially the most half. At the tip, Anil Kapoor’s character is such a blatantly egocentric man-child that you simply marvel why Geeta hadn’t left him earlier than.

Kuku and Naina’s causes for divorce aren’t so clear until midway via the movie as each second scene is performed for laughs. So, after they have interaction in a heated battle, it makes one sit up. Finally, Naina explains what has been hurting her—it’s the dearth of any kind of appreciation from Kuku for her success. It’s an emotional scene that Varun and Kiara deserve credit score for, however you nearly wish that there had been a greater build-up to this battle. Another downside with Kuku and Naina’s story is that they’re regarded upon as ‘kids’ for wanting divorce rapidly, dismissed as a ‘modern relationship’ moderately than really delving into the swimming sea of harm that’s between the 2 of them. It’s an archaic manner of present relationships and dilutes the precise dynamics between a pair.

It’s Bollywood, so every little thing will get tearfully resolved in court docket, in entrance of everybody. Bhim cheerfully tells Kuku on the finish, “Teri ma ko pata lunga.”

The “other woman”

 The ‘other woman’ in Bollywood is normally a caricature, principally introduced as a facetious girl, who’s both utilizing the person for his cash, or loves him a lot that she goes fully insane. Tisca Chopra in Jugjugg Jeeyo was meant for comedian functions clearly, judging by her practised laughs and it’s nearly as if she is to be judged for desirous to be impartial from her companion. Despite Bhim’s claims that the love between the 2 of them is actual, it falls flat later. There is not any seriousness right here both; it feels as if this story was written to induce some laughs from the viewers. This makes Bhim’s character look much more ridiculous and absurd.

 Tisca Chopra’s Meera performs an adulteress straight out of an old style Hindi serial, she’s clad in sleeveless blouses, overtly giggly — but she’s impartial and isn’t going to attend on any man, one thing that our Bhim is used to. After Geeta palms her husband off to Meera, detailing every little thing that she has accomplished for him up to now 35 years, Meera has chilly toes as she realises that she doesn’t need to be ready on somebody for the remainder of her life. Stating her independence, she kicks him out and he returns tail between his legs to Geeta, pretending that he’s in love along with her once more and that he had turned down Meera.

That one Neetu Kapoor scene

Neetu Kapoor, along with her quiet dignity and style as a heartbroken girl, is the star of this mess. While she belongs to the old-school of thought who believes that divorce isn’t an answer, she is thrown when she learns of Bhim’s deeds. Nevertheless, at first, she decides to step apart. After telling Meera about her husband’s every day wants, she has a dialog with Naina. It’s a uncooked and painfully actual monologue, the place Geeta explains that there wasn’t any love in her organized marriage. In a gut-wrenching method, Neetu Kapoor brings out the issues which have ailed so many marriages from earlier generations: Staying collectively for society. She explains that she doesn’t even know if there was love. They simply took care of one another, and as she says, that wasn’t love. Life carried on they usually introduced up their kids. This is the essence of what Juggjugg Jeeyo was attempting to painting—being trapped in a loveless marriage, with no manner out. Neetu doesn’t sob on this scene or has a breakdown, the ache of misplaced years is mirrored in silent tears. This is among the only a few impactful scenes of the movie, and it’s a pity that there weren’t extra like this. She exudes an identical lethal calm after realising why her husband got here again to her—however that is diluted by Kuku’s fixed dramatics.

Neetu Kapoor’s Geeta was relatable and highly effective and he or she doesn’t want her husband’s validation to know that she is doing the fitting factor by divorcing him. It would have been greatest had they only parted methods, with no probability for reunion.

Jugjugg Jeeyo had the fitting themes, but it surely derailed by delving into trite, sexist comedy and utilising age-old Bollywood tropes for a narrative that was meant to be progressive. When will Bollywood be taught?



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