On a tour bus alongside the West Coast in late September 2001, Dave “Brownsound” Baksh was in a quick panic.

Video video games are an escape for the guitarist. They’re a welcome distraction from tour life. An alternative to relax and de-stress for a second. Baksh may’ve used the break, contemplating his band, Sum 41, was on their ascension to stardom after releasing their debut album “All Killer, No Filler” earlier that spring.

At the again of the bus, Baksh turned on the sport console and performed the most recent iteration of the EA Sports NHL franchise, NHL 2002. It’s the one with Pittsburgh Penguins legend Mario Lemieux on the duvet. But he didn’t activate the sport to lose himself within the recreation’s options. He needed to listen to his track.

He scurried by the menus, listening to one after one other of the sport’s 5 playable tracks that weren’t his personal.

“Is it really on here?” Baksh apprehensive.

He ultimately began a recreation, which started with a cinematic introduction that includes each groups getting into the ice. At the identical time, the motive force, a Newfoundland native by the identify of Bob Penny yelled from the entrance of the bus.

“Is that you, b’y?”

“This is crazy. It was one of those ‘I made it’ moments,” Baksh remembers pondering when he heard “Fat Lip”, the band’s largest single from their debut album, within the recreation. It was considered one of two Sum 41 songs featured as in-arena music in NHL 2002, alongside “Makes No Difference”.

“The feeling of listening to your track in a recreation, it’s virtually like whenever you hear a track that you simply’re part of on the radio. Or see a video that you simply’ve been a part of on MuchMusic, on the time, for the primary time.



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