Despite its gifted forged and franchise enchantment, Home Sweet Home Alone struggles to entertain, clumsily fumbling its core premise and utterly misunderstanding what made the unique films so particular. The 2021 entry is the sixth movie within the Home Alone franchise and serves as a delicate reboot, introducing a brand new little one left behind at Christmas: Max Mercer, performed by the lovable — and normally very charming — Archie Yates. Unfortunately, poor characterization, weak construction, and a few severe moral implications plague the script, stripping the film of what little enjoyable it provides. Home Sweet Home Alone is an pointless sequel that fails to revive the franchise, missing the enjoyable, attraction, and magic of the 1990 Christmas traditional.


Directed by Dan Mazer and written by Mikey Day and Streeter Seidell, Home Sweet Home Alone is an ill-thought-out youngsters’s movie that wastes its gifted actors and essentially doesn’t perceive bodily humor. The fundamental format borrows closely from the Home Alone method, utilizing the Christmas setting, the same premise for Max getting left behind, and the plot framing of a toddler booby-trapping his home to guard it from robbers. Like its predecessors, a lot of the comedy comes within the type of spectacular falls and ridiculous pranks. By 2021, it is admittedly a drained idea, particularly after 5 movies — however the true points in Home Sweet Home Alone are literally the place the film deviates from the others within the franchise.

Related: The Addams Family 2 Review: This Unfunny Animated Sequel Is A Slog

Home Sweet Home Alone has two intersecting narratives that drive the plot: the primary is the story of downtrodden mother and father Pam and Jeff McKenzie (Ellie Kemper and Rob Delaney), who’re pressured to promote their household residence due to their monetary woes; the second is wealthy child Max by accident getting left behind when his household flies to Tokyo for the vacations. The large twist in Home Sweet Home Alone is that the McKenzies aren’t actually robbers; the truth is, the whole battle is the results of two main misunderstandings. When a precious doll is stolen from the McKenzies’ open home, they assume it was taken by Max, who had commented on the doll whereas there along with his mom (performed by Aisling Bea). Driven by desperation, Pam and Jeff resolve to try to retrieve the doll, initially believing nobody is residence. Max assumes they need to kidnap him, so he fortifies his residence with ingenious and colourful traps.

Already, having the battle predicated on mistaken assumptions is a weak basis for a narrative, however the truth that the McKenzies are characterised as each pathetic and well-meaning utterly robs the movie of any stakes. Max is in no hazard, and arguably, he is so much much less likable and sympathetic than the adults he is tormenting. The film spends as a lot, if no more, time centered on the McKenzies’ story, portray an image of two loving mother and father who’re heartbroken to need to promote their residence. Max in the meantime is a spoiled brat residing in a mansion, having fun with the type of luxurious and extra that the McKenzie youngsters may solely dream of. Rather than be taught to understand what he has, Max is blissfully unaware of his privilege — even taking residence a big toy gun from a present donation pile, supposed for needy youngsters. In 2021, when so many households are struggling financially, the implied message is tone-deaf.

Ellie Kemper and Rob Delaney in Home Sweet Home Alone

Home Sweet Home Alone has no villain — and in a film franchise constructed on bodily gags, it is a main drawback. The type of slapstick humor the Home Alone franchise is constructed on must really feel earned, and in Home Sweet Home Alone, this isn’t in any respect the case. The greatest films on this class have characters who give it nearly as good as they get it — sinister and predatory villains from Wile E. Coyote to the unique Home Alone thieves, Harry and Marv, who repeatedly attempt to trigger bodily hurt to the likable, ingenious, and affable hero. Even in a film like National Lampoon’s Christmas Vacation, Clark Griswold, the yuppie neighbors, and even his stingy boss Frank Shirley, all get framed in such a manner that the viewers feels just like the characters deserve what occurs to them. Although not villains, these individuals largely create their very own issues due to their satisfaction and greed, which makes the gags that a lot funnier. It’s straightforward to chuckle at somebody getting their comeuppance — it is so much much less humorous seeing two down-on-their-luck mother and father getting burnt, stabbed, and thrown down staircases.

In common, Home Sweet Home Alone feels misguided and half-baked. The characters are two-dimensional and lack consistency — each when it comes to their actions, reactions, and motivations, in addition to their inside consistency. Most, if not all, of the characters say and do issues for the sake of plot or punchline and never as a result of it matches their established character. Jeff, for instance, is a down-on-his-luck information migration professional who has struggled to bounce again after getting laid off. However, he repeatedly struggles with fundamental laptop expertise and ideas all through the film, regardless of that being a really apparent contradiction along with his one established character trait. In one scene he is spouting off information jargon, however within the subsequent, he is comically flummoxed on the concept of erasing his search historical past. Kids won’t discover, however for folks, it breaks believability.

Ellie Kemper and Rob Delaney as Pam and Jeff in Home Sweet Home Alone

Home Sweet Home Alone is a youngsters’s film, and it does embody a number of slapstick moments that may make the younger ones chuckle. However, mother and father be warned: it is a violent film with a problematic moral framework. At greatest, the Home Alone sequel might entertain younger viewers for 90 minutes, however at worst, it encourages horrific habits and has no redeeming ethical on the finish. Families could be higher off simply rewatching the 1990 unique — which additionally occurs to be on Disney+.

Next: Clifford The Big Red Dog Review: Family Film Is A Big Red Dud

Home Sweet Home Alone debuted on Disney+ on November 12, 2021. It is 93 minutes lengthy and is rated PG for slapstick violence, impolite materials and a few language.

Our Rating:

2 out of 5 (Okay)

  • Home Sweet Home Alone (2021)Release date: Nov 12, 2021

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