With Better Call Saul now ever, sequence star Michael McKean has weighed in on his character together with Chuck McGill’s remaining look within the sequence. In the sequence finale episode (SPOILERS AHEAD), Jimmy McGill (Bob Odenkirk) seems in a number of flashback scenes referring to his varied regrets in life. One of them is along with his older brother, McKean’s Chuck, who notably tells Jimmy that it is not too late to vary the trail he is on in life if he would not like the place it is headed.

The flashback scene additionally reveals that Chuck has been studying H.G. Wells’ The Time Machine, a narrative that performs a major theme within the episode. In a brand new interview with Variety, McKean says that this scene was meant to remind viewers that you could’t return in time and you need to make your choices within the second. The Time Machine is “about a poorly molded future,” says McKean, with Chuck predicting a detrimental future for Jimmy and reminding his brother that there was nonetheless time to get his life heading in the right direction.

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“Maybe it’s about how the future is yours to design as much as you’re capable of. Don’t blow it. Now, this is something said by a man [Chuck] who was kind of getting started on blowing his own future. He just didn’t know it. He was putting himself in a bind because of his various feelings, his jealousies, his inability to win people the way Jimmy does. [Chuck watches Jimmy] do what lawyers do, but doing it openly and brazenly and getting away with it because he’s charming and a little slippy. Chuck, who plays by the rules, he was the man wondering: “If I’m doing it right, why do I feel so terrible?” The past is the past, but it’s still with you. What you do with yourself and who you are when you revisit the past can be kind of instructive. I think on a much shorter scale, that’s what Jimmy is doing and feeling in these moments, when he’s thinking about the time that’s gone by.”

In different flashbacks, Jimmy had requested Walter White (Bryan Cranston) and Mike Ehrmantraut (Jonathan Banks) what they might do, hypothetically, if that they had a time machine. McKean ponders what Chuck could have accomplished if he had a time machine, as he wasn’t requested that query by Jimmy within the episode. The actor guesses that Chuck could have put in one other try and have Jimmy’s life straightened out with a extra strict childhood.

“Well clearly, but we have to take his mental illness into our calculations. Chuck may have had a version of sanity, but something won out… something that maybe shouldn’t have. There’s nothing more present than the moment of your death. If Chuck could have had a time machine, if he could have gone back and convinced his parents that Jimmy needed a lot more strictness in his life, that Jimmy needed to not bail on his responsibilities, that Jimmy needed to straighten out and get his sh*t together… then that would have been worth another try. But listen, Chuck was off to law school by the time Jimmy was 18, and he left everything pretty much in the dust. If there was a way that he could have done the right thing, it might not have occurred to him. So I don’t really know.”

McKean additionally touched on the evolution of the connection between the McGill brothers.

“Chuck and Jimmy’s relationship was very complex. It grew by leaps and bounds, and Peter [Gould], Vince [Gilligan] and Tom [Schnauz] have always said that a lot of stuff that Bob [Odenkirk] and I did inspired them as to where the story was going to go. I’m kind of proud of that. To make a relationship with that amount of complexity work and make it dramatically viable for the rest of the show was something that Bob and I discovered as we went.”

Related: Better Call Saul: Bob Odenkirk Imagines What Happens Next After the Series Finale

Michael McKean Reacts to Howard Hamlin’s Death

While Chuck handed away in season 3, his former HHM accomplice Howard Hamlin (Patrick Fabian) would later chunk the mud in season 6. McKean has seen the episode and was floored by the character’s surprising homicide courtesy of Lalo Salamanca (Tony Dalton). Praising Fabian and his efficiency, McKean praised how there had been many layers to the Howard character. The suddenness of Howard’s demise can be one thing that is sadly life like, as defined by McKean.


“Wow. Staggering… First of all, Patrick Fabian is a great friggin’ actor. And it was like his character came so much into focus, and then of course, it’s blown off the face of the earth. It was just devastating. We had a lot invested in this man, even if our rating of him is not 100% favorable as a human being. There was so much in his relationship with his wife and his little tips about how you can take the fizz out of the soda can… all these things, all these little details, which is what makes up people. People aren’t just made up of the broad strokes. And he certainly didn’t need to be a victim. He was a redeemable person, until he wasn’t. He was revealed as being two-faced and very destructive and cocky. Those are all human failings. When he became a victim it was devastating, but it was also like, life is that. Life is the guy who walks in at the wrong moment, you know?”

Certainly, the guilt of what occurred with each Chuck and Howard performed closely into Jimmy McGill’s massive resolution that got here towards the top of the sequence finale, leading to a prolonged sentence at a federal jail. Though he is misplaced his freedom, Jimmy nonetheless lastly appeared to vary by shedding Saul Goodman as soon as and for all, and maybe that is one thing that will’ve made Chuck proud.

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