Dir: Aanand L Rai
Cast: Sara Ali Khan, Dhanush, Akshay Kumar
Atrangi Re is ridiculous. The movie, particularly the primary hour, is mind-bogglingly irritating. Since it’s airs on an online platform, and never in theatres, one can find your self often desirous to press the pause button.
Director Aanand L Rai expects you to be a flight threat, and casts one of many nation’s most pleasant actors, Dhanush, to assist his movie energy via the shaky begin. He succeeds, as a result of Dhanush’s arresting display screen presence beseeches you to remain. Rai and his long-time collaborator Himanshu Sharma have created one thing that’s as weird as it’s poetic. On the floor, it’s a twisted love story. The feisty and younger Rinku is forcefully married off. She is a loud and insupportable mess. Sara Ali Khan isn’t constantly good at showcasing the half, however she is honest. Rinku is offended, aggressive, and seeking love whereas battling her personal demons. Only when her new husband Vishu (Dhanush) enters her life is she compelled to take care of her trauma.
Rinku isn’t in love with Vishu. She has her coronary heart set on Sajjad, a magician who’s a number of years older than her, and belongs to the Muslim group. Owing to this, they haven’t been capable of keep collectively. Atrangi Re is disjointed and contrived. It’s exhausting to debate its misgivings with out revealing spoilers. AR Rahman’s sweeping rating and Dhanush’s performing prowess do a lot of the weight-lifting in taking the viewers previous the movie’s first hour. During this era, the makers depart no stone unturned in making viewers despise Rinku. Suddenly, the narrative’s tone is altered, and the viewers is taken on a soul-searching quest to grasp the myriad layers of human affection.
In a nutshell, Atrangi Re is about love, and appreciating its capability to rework and heal lives. The narrative additionally delves into emotional abuse, childhood trauma, and social evils. Akshay Kumar’s Sajjad has been created with a vivid creativeness to lend the movie a mystical and fairytale-like attraction. It has been aided by the good cinematography of Pankaj Kumar.
The movie soars in its stable second half, however ultimately turns into problematic. Dhanush’s Vishu acquires the traits of his criticised character from Raanjhanaa. He breaks bottles and turns into the everyday ‘aashiq’ that popular culture expects ladies to fawn over. Yet, staying true to his brilliance, Dhanush sells this half. I nearly purchased into the insanity of this twisted story. The climax is potent and transferring. I like Rai’s braveness to try a posh movie like this. But, it lacks an in-depth understanding of mental-health issues like schizophrenia, and bipolar dysfunction, which, on this period, is solely unacceptable.
While the movie isn’t interesting, it establishes Rai’s boundless creativeness. He may miss the mark generally, however I consider someday, quickly sufficient, he’ll get it proper. And merely for that day, I’ll nudge him to maintain dreaming large!