Ana de Armas, who just lately acquired an amazing response to her portrayal of Marilyn Monroe in Blonde on the Venice Film Festival, says that her efficiency has additionally earned the approval of the individual closest to the movie. Ana strongly believes that Marilyn herself haunted the units of Blonde and was pleased along with her portrayal within the movie. The actor additionally stated that Marilyn would get mad when she didn’t like one thing within the movie. Also Read| Ana de Armas’ Marilyn Monroe biopic Blonde may ‘offend everyone’: director

Andrew Dominik directorial Blonde had its world premiere on the 79th Venice International Film Festival on September 8. Ana de Armas was left in tears on the screening after it debuted to a 14-minute lengthy standing ovation. Speaking to the press throughout the premiere, Ana stated she felt the spirit of Marilyn Monroe along with her throughout the filming.

As per Reuters, Ana stated, “I truly believe that she was very close to us. She was with us. She was all I thought about, she was all I dreamt about, she was all I could talk about, she was with me and it was beautiful.” The actor additionally stated that Marilyn had her personal methods of telling them off if she was typically not pleased with their work.

She stated, “I think she was happy. She would also throw things off the wall sometimes and get mad if she didn’t like something. Maybe this sounds very mystical, but it is true. We all felt it.”

The movie’s author and director Andrew Dominik additionally spoke about feeling mystical power throughout the filming. He recalled that they filmed many scenes within the locations they occurred in actuality. They shot within the residence the place Marilyn lived along with her mentally sick mom and likewise within the precise lodge room the place she died. The filming additionally started on August 4, the day Marilyn died in 1962 on the age of 36. Andrew stated, “It definitely took on elements of being like a seance.”

Blonde will premiere on Netflix on September 28. The biopic on the Hollywood icon relies on Joyce Carol Oates’ 2000 novel of the identical identify.

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