From the times of S.E.S. to Girls’ Generation, to SHINee, and extra, K-pop has come a great distance within the final twenty years. Despite the unparalleled worldwide success of present fourth era acts, a lot of them be certain that to point out their love for the pioneers of the business by way of tributes and covers.

It’s a much-welcome follow because it introduces youthful K-pop followers to a few of the business’s most iconic hits, on the similar time giving longtime K-pop followers a heartfelt throwback to the previous days. Here are 9 of many instances the fourth era paid homage to early first and second era K-pop acts!

Choi Ye Na – BoA’s “Only One”

Widely thought to be one of the vital profitable K-pop soloists of all time, numerous idols have paid tribute to BoA over time. Most just lately, soloist and former IZ*ONE member Choi Ye Na took on her 2012 hit “Only One,” one among BoA’s most well-loved singles thus far. Featuring a cameo from her brother Choi Sung Min in the course of the track’s dance duet, the fourth era soloist stays true to the unique in her efficiency.

ATEEZ – SHINee’s “Sherlock”

Another throwback to 2012, ATEEZ confirmed off their highly effective vocals to SHINee’s “Sherlock” again in 2019 for a particular “Music Bank” episode. While the second-generation boyband’s songs are notoriously onerous to cowl, ATEEZ completely killed it and made the monitor’s iconic choreography their very own.

ITZY – T-ara’s “Roly-Poly”

If there’s one factor ITZY and second era lady group T-ara have in widespread, it’s their capacity to provide listeners probably the most unshakable of earworms with their infectious, high-energy tracks. Nearly 10 years after the release of the addictive “Roly-Poly,” ITZY graced 2020’s SBS Gayo Daejeon with their perfectly-executed cowl of this legendary hit.

TXT – SHINee’s “Replay”

Another nice SHINee cowl is TXT’s tackle their groovy, R&B-laced debut monitor “Replay,” a track the members would have grown up listening to. Although their vocals sound extra trendy, TXT completely embodies the youthful, romantic vibe of the unique, which is a formidable feat given SHINee’s one-of-a-kind fashion and vitality.

aespa – S.E.S.’s “Dreams Come True”

1997’s house fairies meet 2021’s AI avatars in aespa’s remake of fellow SM lady group S.E.S.’s single “Dreams Come True,” completely mixing the ideas of each teams into one track. While aespa definitely “brings it back to ’90s” of their remake, the group makes positive so as to add their very own spin to the monitor with trendy rap verses and an extremely catchy post-chorus.

Stray Kids – 2PM’s “My House”

In 2020, Stray Kids took a break from their traditional hard-hitting sound to pay homage to their JYP seniors 2PM with a sultry cowl of the 2015 single “My House.” Perfectly digesting the track’s idea and efficiency, Stray Kids proves that the company hasn’t misplaced its contact in debuting amazingly gifted boybands.

(G)I-DLELee Hyori’s “U-Go-Girl”

Can you imagine this iconic efficiency occurred 4 years in the past? Shortly after their debut, fourth era leaders (G)I-DLE paid tribute to soloist and Fin.Okay.L member Lee Hyori’s “U-Go-Girl,” one among her greatest hits thus far. Despite their traditional sound being darker, (G)I-DLE seems to be and sounds proper at dwelling with this empowering female-centric anthem!


For 2020’s Christmas, AB6IX took on SECHSKIES’s candy, signature sound with a canopy of the 1998 hit “COUPLE“, which remains one of the group’s most well-loved songs. This track feels like a warm hug on a cold winter’s day, and AB6IX definitely made sure to pour all their love into their soft, comforting rendition.

fromis_9 – Girls’ Generation’s “Oh!”

Every lady group covers “Into the New World” and “Gee,” so it’s refreshing to see “Oh!” getting some love for a change. The cheeky, playful vitality of Girls’ Generation’s 2010 title monitor fits fromis_9 splendidly, making it an excellent alternative for them. From their robust vocal supply to lovely facial expressions, this may simply be among the finest Girls’ Generation covers round!

What different fourth era K-pop teams have coated early K-pop hits? Let us know within the feedback!

Gladys Yeo is a longtime K-entertainment fan and college scholar majoring in Media and Asian Studies. Outside of faculty and writing, she could be discovered listening to K-pop lady teams or attempting (and failing) to manage her two pet corgis. Feel free to hit her up on Instagram or Twitter to speak about dramas, music, and life!

Currently hooked on: ATEEZ’s “Guerrilla,” NewDenims’ “Hype Boy
Looking ahead to: Billlie’s “the Billage of perception: chapter two” and Key’s “Gasoline

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