Quentin Tarantino’s distinctive filmmaking type is outlined by his influences. Tarantino takes a bunch of components from motion pictures he loves – pictures, scenes, characters, items of music – then throws them in a blender, mixes them up, and turns them into one thing new. His ‘90s basic Pulp Fiction is among the quintessential works of postmodernism.

RELATED: Django Unchained 5 Things It Borrowed From The Original (& 5 Differences)

In 2012, Tarantino boldly tackled the difficult subject material of American slavery via the lens of a blood-soaked spaghetti western. With references to numerous current classics, Django Unchained is among the writer-director’s most bold cinematic patchworks.

10 Django (1966)

Franco Nero in Django and Jamie Foxx in Django Unchained

The most overt film reference in Django Unchained is using the title Django from Sergio Corbucci’s 1966 spaghetti western masterpiece Django. Corbucci’s film has nothing to do with slavery, however it’s a couple of bounty hunter and it does have brutal violence. Plus, Tarantino pilfered some of Luis Bacalov’s Django score.

Franco Nero, who performed the title position within the Corbucci unique, even cameos in Django Unchained. Jamie Foxx’s Django spells out his title for him and provides, “The D is silent,” to which Nero hilariously replies, “I know.”

9 The Great Train Robbery (1903)

The Great Train Robbery and a wanted poster for Edwin Porter

Since Django and Dr. Schultz are bounty hunters, there are a bunch of needed posters all through the film. Naturally, Tarantino used these needed posters as alternatives to cram in just a few extra Easter eggs.

One of them is a reference to Edwin Porter’s 1903 silent western The Great Train Robbery, one of many first ever narrative movies. In one in every of Django Unchained’s needed posters, Edwin Porter is needed for prepare theft.

8 Taxi Driver (1976)

The sleeve guns in Taxi Driver and Django Unchained

Throughout Django Unchained, Dr. Schultz makes use of just a little handgun that pops out of his sleeve on a rail, permitting him to catch his dueling opponents unexpectedly. He makes use of this gun to kill the corrupt sheriff close to the start of the film and Calvin Candie himself close to the top of it.

This sleeve gun is a nod to Martin Scorsese’s 1976 neo-noir masterpiece Taxi Driver, during which Robert De Niro’s disturbed vigilante Travis Bickle engineers one to take alongside on his vengeful campaign throughout New York’s legal underbelly.

7 The Good, The Bad, And The Ugly (1966)

Tuco in The Good, the Bad and the Ugly and Stephen in Django Unchained

At the top of The Good, the Bad, and the Ugly, Tuco tells the Man with No Name, “Hey, Blondie, you know what you are? Just a dirty son of a…” earlier than getting minimize off by Ennio Morricone’s iconic rating blaring onto the soundtrack.

RELATED: Quentin Tarantino 5 Ways Django Unchained Is His Best Western (& 5 The Hateful Eight Is A Close Second)

Stephen’s remaining line in Django Unchained mirrors this second. Django lights the fuse on the dynamite to explode Candyland as Stephen yells, “Django, you uppity son of a…” earlier than being minimize off by the explosion.

6 Gone With The Wind (1939)

The onscreen titles in Gone with the Wind and Django Unchained

When Django and Dr. Schultz arrive in Mississippi, the phrase “MISSISSIPPI” scrolling throughout the display screen in all caps is a reference to the opening titles of Victor Fleming’s Gone with the Wind.

While Gone with the Wind was each a crucial and industrial hit, its depiction of pleased slaves has been accused of historic negationism. Rather than whitewash the period like Gone with the Wind, Tarantino’s movie got down to expose its true horror.

5 Mandingo (1975)

The mandingo fights in Mandingo and Django Unchained

One of the most brutal scenes in Django Unchained sees Calvin Candie and a fellow slaver forcing their slaves to combat to the demise. This is a reference to Richard Fleischer’s 1975 revisionist thriller Mandingo, which depicts white slavers pitting their slaves towards one another in bareknuckle boxing matches.

In the 1998 guide Quentin Tarantino: Interviews, Tarantino is quoted as saying Mandingo and Showgirls are the 2 instances “a major studio made a full-on, gigantic, big-budget exploitation movie.”

4 A Fistful Of Dollars (1964)

Silhouettes of Clint Eastwood in A Fistful of Dollars and Jamie Foxx in Django Unchained

After speaking the LeQuint Dickey Mining Co. into letting him go, Django promptly shoots all of them lifeless. The final man, performed by a cameoing Quentin Tarantino, is holding a giant bundle of dynamite on the time, so he blows up in an enormous burst of smoke.

The shot of Django’s silhouette amid the cloud of smoke is a reference to the same shot of Clint Eastwood’s Man with No Name in Sergio Leone’s A Fistful of Dollars.

3 Shaft (1971)

Richard Roundtree in Shaft and Kerry Washington in Django Unchained

Broomhilda’s surname, Von Shaft, is a reference to the 1971 blaxploitation actioner Shaft, starring Richard Roundtree because the titular non-public eye. While Tarantino typically makes little familial connections between his personal characters, this Easter egg implies that Broomhilda is a direct ancestor of John Shaft.

RELATED: Django Unchained 5 Western Tropes It Subverted (& 5 It Adhered To)

Samuel L. Jackson, who performed home slave Stephen in Django Unchained, performed the position of John Shaft within the 2000 Shaft remake and its 2019 sequel/reboot, additionally known as Shaft.

2 Son Of A Gunfighter (1965)

The poster for Son of a Gunfighter and Amber Tamblyn in Django Unchained

This one’s an actual deep minimize. Amber Tamblyn’s minor position in Django Unchained is credited as “Daughter of a Son of a Gunfighter” in reference to the truth that her real-life father, old-school film star Russ Tamblyn, performed the title character within the movie Son of a Gunfighter.

The older Tamblyn additionally seems in Django, and he’s credited as “Son of a Gunfighter.” Son of a Gunfighter is notable for being the ultimate MGM film to be shot in CinemaScope.

1 The Great Silence (1968)

The snowy sequences in The Great Silence and Django Unchained

Django Unchained takes half of its title from 1966’s Django, however its snowbound center act – during which Dr. Schultz takes Django out into the snowy wilderness to show him easy methods to shoot – is influenced by a special Corbucci western: his unforgiving 1968 masterpiece The Great Silence.

Tarantino wrote in The New York Times, “[The Great Silence] takes place in the snow — I liked the action in the snow so much, Django Unchained has a big snow section in the middle of the movie.”

NEXT: Django Unchained Why Django Is A Perfect Protagonist (& Candie Is A Perfect Villain)

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